In addition, Waugh (1995) also detects that
metafiction is applicable to language. For example, "Language is an
independent, self-contained system which generates its own 'meanings'"
(p.3). When examining Waugh's argument, I believe that the following image will
help to visualize how meaning can be created in relation to the arbitrary
linguistic system.
(Dr. Thorsten Trippel ND)
This implies that when an individual is attempting
to use language to coincide with how the world can be represented, the
individual will come to realise that this task cannot be completed (Waugh 2003).
Furthermore, Currie (1995) supports Waugh (2003) because he establishes how
metafiction obtains a sense of designation to the idea of constructed meanings
rather than representable essences. In other words, metafiction has the
intention to challenge meaning. Likewise, it has the intention to criticise how
representations and ideologies are constructed through language.
In comparison, Bakhtin establishes language to be
known as “Not a neutral medium that passes freely and easily into the private
property of the speaker's intentions; it is populated -- overpopulated with the
intentions of others” (HoneyCutt 1994: Line25). In other words, all individuals
have access to the same arbitrary system. Therefore, an expression or thought
that an individual is wishing to express cannot become personal because the
word is technically universal. In other words, the language system is owned by
everyone. Similarly, an individual can regenerate a word from this arbitrary
system in relation to their understanding. This implies that to a certain
extent language can become personal.
… the word does not exist in a neutral and
impersonal language . . . but rather it exists in other people's mouths, in
other people's contexts, serving other people's intentions: it is from there
that one must take the word, and make it one's own (HoneyCutt 1994:Line27).
Moving forward, Waugh (2003) states “Metafiction is
constructed through frames” (p.29). In other words, it is impossible to distinguish
where one frame starts and another ends (Waugh 2003). In other words, it can be
argued that a frame narrative leads readers from the first story into the next.
Similarly, there may be multiple stories. Therefore, it is up to the reader to
distinguish which story they are in and where they are in the narrative (Burton
ND). In comparison, Waugh (2003) argues that “… overt frames
involve a confusion of ontological levels through the incorporation of visions,
dreams, hallucinatory states and pictorial representations which are finally
indistinct from the apparently ‘real’” (p.31). This implies that there are
narrative layers. In other words, there is a story within a story in which one
character in the narrative narrates themself. Similarly, in the narrative
layers there will be aspects of metalepsis. When exploring metalepsis, Burton
(ND) identifies that it will be a reference to something such as a person,
object or emotion by means of another article that is remotely related to it. This
implies that there is a deconstructive element to metafiction. Therefore,
metafictional narratives enhance the reader’s outlook of the everyday world.
Similarly, it is possible for the reader to stimulate ideas in relation to
reality (Waugh 2003).
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